🖼️ Like most things that are turned in late, this monthly memo is brief, scattered, retrospective, and a bit lame (sorry). June was a month of big life-changes for me (on paper, mostly) although life feel the same-ish. I guess that’s how the state-of-the-world is, too—laws are signed and orders are passed, but they just seem to formalize or ignore a concurrent reality. Much like the translated poem I’ve included above, this piece still feels like a work-in-progress, but here it is anyway.
🎬 This month, I re-watched Knives Out (still satisfying the second time round), wrapped up Legends of Tomorrow with Kevin, finally finished watching My Cousin Vinny, and also watched the first season of Rhythm + Flow, which is like the hip-hop version of The Voice. I’ve never really been an avid listener of rap music but thanks to Rhythm + Flow, I now have a better understanding and appreciation of the genre. Truly some of the best rhymes are found in rap verses.
🎶 HAIM’s highly-anticipated 3rd album, Women in Music Part III, debuted this month and the sisters never disappoint. While the promo singles they released earlier this year are still (to my ear) the main bangers from the album, most HAIM songs get better after several listens—especially when heard live. All in all, I think they’ve strategized their music-release-during-quarantine very cleverly. Other songs that have been on repeat this month include Chance the Rapper’s “No Problem,” Billy Joel’s “Movin’ Out” (a timely tune, as I moved out of Hyde Park), and Jawsh 685’s “Laxed – Siren Beat” (a TikTok hit).
📖 Tragically, I did not read much in June, unless you count many tweets, the Illinois Rules of the Road handbook, and USCIS instructions as “literature.” However, I am hoping to read James Baldwin’s The Fire Next Time and finish reading Joshua Wong’s book in July. I feel that my writing has been dry and drab recently and I think I can chalk it up to the utter disintegration of my reading habits….
💬 June’s word of the month is cul-de-sac, a term that seems to crop up everywhere for me. I encountered it multiple times in Legends of Tomorrow as a recurring trope, then in a NYT crossword (I’ve also used “sac” in my own crosswords), and then IRL in the streets of Naperville. Cul-de-sac is one of those words that I sometimes hear, know exists, yet never really need to use in daily lingo. I feel like it is a very American concept, particularly in relation to suburban life. It’s also a phrase that can sound kind of fancy (it is French, after all), until you translate it plainly: dead end. 😬
On a metaphorical, large-scale level, I wonder whether big movements happening in both the US and Hong Kong can be compared to cul-de-sacs, passages that lead nowhere. I experienced a similar frustration when I was learning to drive in the suburbs. What’s the point of driving into a cul-de sac if you just end up exiting the same way you came in?
In urban planning, cul-de-sacs were originally integrated to create safety and connectivity, but they now sometimes come under fire for being unsafe, and even bad for your health (residents living in cul-de-sacs often need to drive to get anywhere, increasing car exhaust levels as well as safety concerns for kids playing outside their home).
As we navigate the fourth month of quarantine, I also feel that the pandemic situation in the US feels a bit like driving in a cul-de-sac, going in circles without making progress. But perhaps that is taking the metaphor too far…
Anyway, I will aim to publish July’s monthly memo before the month is up. I’ll be pressing “publish” in Berkeley when the time comes!